Please select from the table of musical arrangements below for a particular type of music and listen to shortened extracts of my works.
Orchestral Music:
After a number of years as a brass player in bands, with elementary music theory, but with a love for the classical orchestra music, I privately undertook what was a four year course in orchestration in the Conservatorium. I completed the course in eight months.
I immediately composed an overture for orchestra “The Australian Settlement Opus 1”, a work of 11.5 minutes duration, which was very well received both in public performance and broadcast, There are three extracts of the orchestra composition in the first items following.
Piano and Orchestra:
‘April USA’ came about like so much of the music I am ‘given’. It comes from somewhere into my mind when I have been meditating. This composition, which most would classify as classical music manifested during the time I was in California in April 1994.
Items 2 and 3 both come from my play Aesop’s In Town (a romantic comedy) and these segments are musical arrangements featuring piano and orchestra, some including themes by Laima Robins.
Rose Variations was inspired by a book titled ‘The Power of Perception’ and subtitled ‘What Do You See When You Look At A Rose’ written by a dear late friend of mine Marcus Bach, a wonderful, highly respected philosopher who had more than 30 published books see: http://marcusbach.wwwhubs.com/
When he sent the book to me I was most pleasantly surprised to find a couple of pages dedicated to me and my compositional experiences.
Oratorio:
Breath of God (featured)
Dance Theater:
The Annex (featured)
Wonga Wonga (featured)
Duration 8min 30sec
I saw this as a dance for solo dancer who mainly through mime, lighting and minimal staging portrays a lonely tenement dweller arriving home each day to an empty unit. When night falls the character ventures out into the night and the garish neon lights to find company – but must return to the tenement building always alone.
Being a composer of dance music requires such a striving for emotion and animation in a composition.
Musical Theater:
The Ancient Mariner (featured)
Aesop’s in Town (featured)
Ensembles:
Rondo De Nuit (see “Dance Theater tab) is a Piano Trio viz. Violin, Cello and Piano 8.5 minutes duration). It is contemporary music with the sound suggesting high pitched, altercating voices of noisy tenement dwellers, created by using a metal object stroked quickly back and forth across the piano strings. The results are quite effective in contrast to the pleasant sounds of the traditional instruments.
The Octet Music Ensemble has been created following a dream I experienced which had only one character – Paganini the famous 19th century violinist. He played a theme I had never heard. I wrote down what he played as a solo and orchestrated the composition. I actually had to moderate some of the solo work to make it playable by most generally accomplished violinists.
I wanted to write something purely for a string ensemble and commenced a string quartet. The first movement (3 min 50sec) has been completed but never performed. Maybe time or a commission may help see it completed into a contemporary chamber music piece.
Paintings-Excerpts from Musical Pictures:
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Fun Songs:
The same challenge was leveled in respect of writing a ballad and with Helen’s lyrics “Photographs” came into being, sung here by David Comacho of Sacramento.
Friends of mine were getting married and Helen Banks again collaborated with me to write a “popular music” type song for them and “The Wedding Song” was composed. My friends called off the wedding and the song has been sitting on the shelf ever since. It has great lyrics and is very appropriate for the occasion.
‘Bout The Wonderful Tree” was written during the United Nations “Year of the Tree” and sung by a friend Bill Brown backed by a group of junior Girl Scouts. I wrote the lyrics as well – it’s a great kids’ song I feel. Has a couple of nice messages in it in a fun way.
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Classical Ballet (featured)